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Russian icons are typically paintings on wood, often small, though some in churches and monasteries may be as large as a table top. Many religious homes in Russia have icons hanging on the wall in the krasny ugol —the "red" corner (see Icon corner). There is a rich history and elaborate religious symbolism associated with icons
It also is used as a symbolic icon of the interpretation of Christianity, unique to Irish culture in that pre-Christian Celtic tradition and Irish Druidic iconography are hybridized with Christian traditions and iconography (much like the Shamrock; a low-growing, daintily foliaged, dense ground cover plant, which is held as a timeless symbol of ...
It is also referred to as iconophilism (also iconophily or iconophilia from Greek: εἰκόνα – icon (image) + Greek: φιλέω – love) designating a positive attitude towards the religious use of icons. In the history of Christianity, iconodulism (or iconophilism) was manifested as a moderate position, between two extremes: iconoclasm ...
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
From the middle of the 4th century, after Christianity was legalized by the Edict of Milan in 313, and gained Imperial favour, there was a new range of images of Christ the King, [47] using either of the two physical types described above, but adopting the costume and often the poses of Imperial iconography.
Iconolatry (Greek: εἰκών, eikon, 'picture or image', + λατρεία, latreia, 'veritable (full) worship or adoration') designates the idolatric worship or the adoration of icons. In the history of Christianity, iconolatry was mainly manifested in popular worship, as freedom of worship while others viewed it as superstitious belief in ...
Byzantine Iconoclasm, Chludov Psalter, 9th century. [10]Christian worship by the sixth century had developed a clear belief in the intercession of saints. This belief was also influenced by a concept of hierarchy of sanctity, with the Trinity at its pinnacle, followed by the Virgin Mary, referred to in Greek as the Theotokos ("birth-giver of God") or Meter Theou ("Mother of God"), the saints ...
In Eastern Christianity, an iconostasis (Greek: εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a church. [1] Iconostasis also refers to a portable icon stand that can be placed anywhere within a church.
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