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Wolfgang Amadeus Mozart's operas comprise 22 musical dramas in a variety of genres. [ a ] They range from the small-scale, derivative works of his youth to the full-fledged operas of his maturity. Three of the works were abandoned before completion and were not performed until many years after the composer's death.
Idomeneo, re di Creta ossia Ilia e Idamante (Italian for Idomeneus, King of Crete, or, Ilia and Idamante; usually referred to simply as Idomeneo, [1] K. 366) is an Italian-language opera seria by Wolfgang Amadeus Mozart.
La clemenza di Tito (The Clemency of Titus), K. 621, is an opera seria in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Pietro Metastasio. Mozart completed the work in the midst of composing Die Zauberflöte, his last opera. La clemenza di Tito premiered on 6 September 1791 at the Estates ...
Idomeneo, a 1781 opera seria by Mozart, is based on the story of Idomeneus's return to Crete. In this version, Poseidon (Neptune in the opera) spares Idomeneo's son Idamante, on condition that Idomeneo relinquish his throne to the new generation.
Idomeneo is a 181-minute television film of the Metropolitan Opera's first staging of Wolfgang Amadeus Mozart's 1781 opera Idomeneo, re di Creta ossia Ilia e Idamante, produced by Jean-Pierre Ponnelle and performed by a cast headed by John Alexander, Hildegard Behrens, Ileana Cotrubaș, Luciano Pavarotti and Frederica von Stade under the direction of James Levine.
29 January 1781 Cuvilliés Theatre, Munich Opera seria. Libretto by Giambattista Varesco. Mozart wrote a ballet to accompany the opera (K. 367), which he himself considered more of a Lullian divertissement. Regarded as Mozart's first "mature" opera, it is one of his earliest operas to still be regularly performed today. 384: 384
Mozart would sometimes switch his focus between operas and instrumental music. He produced operas in each of the prevailing styles: opera buffa, such as Le nozze di Figaro, Don Giovanni, and Così fan tutte; opera seria, such as Idomeneo; and Singspiel, of which Die Zauberflöte is the most famous example by
June 27 – Mozart writes of his new pupil and admirer, Josepha Barbara Auernhammer: "I am almost every day after dinner at H: v: Auernhammer – The freulle is a monster!". July 29 – Mozart receives the original libretto of his next opera, Die Entführung aus dem Serail from the director of the Nationalsingspiel, Gottlieb Stephanie.