Search results
Results from the WOW.Com Content Network
"Artists Throwing Money Out The Window" is a Generator Sound Arts sub-label focusing more exclusively on conceptual recordings, non-music and "irritainment." Items in the catalog include a CD recording of WFMU disc jockey Fabio Roberti's car muffler, [ 24 ] a CD of 16mm educational film soundtracks curated by AV Geeks, [ 25 ] and a CD jewel ...
Contemporary art exhibitions (5 C, 116 P) F. Art fairs (1 C, 57 P) Fashion exhibitions (20 P) Art festivals (8 C, 17 P) G. Group art exhibitions (4 P) K. Kochi ...
Larry Gagosian opened his first gallery in Los Angeles in 1980, [1] showing the work of young contemporary artists such as Eric Fischl and Jean-Michel Basquiat. The business expanded from Los Angeles to New York: In 1989, a new, spacious gallery opened on the Upper East Side of Manhattan at 980 Madison Avenue, with the inaugural exhibition "The Maps of Jasper Johns".
Golden Lion for best artist of the exhibition: Tobias Rehberger; Silver Lion for the most promising young artist of the exhibition: Nathalie Djurberg; Golden Lions for lifetime achievement: Yoko Ono and John Baldessari; Golden Lion for best national participation: American pavilion with Bruce Nauman [13] 52nd: 2007: Robert Storr
Pages in category "Contemporary art exhibitions" The following 116 pages are in this category, out of 116 total. This list may not reflect recent changes. 0–9.
The title of a work of art is a part of its identity and can influence its reception and interpretation by audiences, as noted by art critic Arthur Danto, [22] who made a thought experiment of a particular abstract mural being named after either the first or third of Newton's laws of motion; however, titles can be more impactful on the ...
Freestyle was a contemporary art exhibition at The Studio Museum in Harlem from April 28-June 24, 2001 curated by Thelma Golden with the support of curatorial assistant Christine Y. Kim. Golden curated the works of 28 emerging black artists for the exhibition, characterizing the work as 'Post-Black'.
From 1955 through 1970, the show followed a triennial schedule; from 1961–1967, the exhibition was known as the Pittsburgh International Exhibition of Contemporary Painting and Sculpture. [ 8 ] The first exhibition was selected by Carnegie Museum of Art director John. W. Beatty, on his own; after that, works were selected in consultation with ...