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The concept of unity in variety was further developed in the early 1700s by Francis Hutcheson, who declared that excitement is generated by "Uniformity amidst Variety", which generates a "disinterested" pleasure (i.e., the one with no regard for practical issues, like existence of the considered object or the wants of the body, like thirst).
According to Sydney J. Freedberg, it "is less a painting about Christian death and tragedy than a splendid and impassioned affirmation of both art and life. Its true protagonist is the Magdalene, salient in a radiance of green against a gold-shot background, who walks out of the picture into the real world, shouting, palpable, magnificent, and ...
This piece demonstrates the personal significance of Hayden's conflict. Hayden moved to Washington, D.C. during his teenage years in order to find work to make a living. He worked as a carrier and an errand boy while finding inspiration for his work from the everyday bustle of the city.
The 18th century artwork of a Spanish pointer dog was last on the market in 1972 when it sold for £30,000 ($37,700), according to Sotheby’s, which is handling the sale. ... “It demonstrates ...
The Drapery Study for the Virgin is a drawing by Leonardo da Vinci in the Louvre.Executed in charcoal, Indian ink, and gray wash, with highlights of ceruse white on yellowed, black-tinted paper, it is a preparatory study for the drapery of the Virgin Mary's cloak in Leonardo's painting The Virgin and Child with Saint Anne, also in the Louvre.
Yoshiki, the Japanese star whose work blends pop, rock and classical music, saluted “the power of art” as he accepted the Variety International Achievement in Music Award at Variety Hitmakers ...
Victorian era cookbooks, like Isabella Beeton's "Book of Household Managment," helped popularize the concept of a cooked breakfast in the UK. - Hulton Archive/Getty Images; Alamy Stock Photo
One and Three Chairs demonstrates how an artwork can embody an idea that remains constant despite changes to its elements. Kosuth stresses the difference between concept and presentation in his writings (e.g., "Art after Philosophy", 1969 [2]) and interviews (see the quotation below). He tries to intimately bind the conceptual nature of his ...
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