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Werkenntwen (English: "Whoknowswhom"), often abbreviated in German as wkw, was a German social networking site. TechCrunch once compared it to Myspace. [2] According to Alexa Internet in July 2011, werkenntwen's traffic was ranked 959 worldwide [3] and was one of the most successful websites in Germany. [4]
Nur wer die Sehnsucht kennt (Only Those Who Know Longing) is the fifteenth studio album released by German Schlager group Die Flippers. The album was a huge success, being certified gold in Germany within a year. [ 1 ]
Nur wer die Sehnsucht kennt" ("Only he who knows yearning") is a poem by Johann Wolfgang von Goethe. The poem appears in the 11th chapter of Book Four of Goethe's novel Wilhelm Meister's Apprenticeship. In the novel, it is sung as a duet by Mignon and the harpist (Augustin) the latter being revealed as her father at the end of the novel. [1] [2]
Anajo's debut album, Nah bei mir (Close to me), was released in October 2004. [1] Consisting of songs from the band's demo CDs, the album was positively received by Rainer Henze of music magazine laut.de, who described the band's sound as fresh, breezy, absolutely contemporary guitar pop with subtly playful electronic elements. [2]
Pyotr Ilyich Tchaikovsky composed a set of six romances for voice and piano, Op. 6, in late 1869; the last of these songs is the melancholy "None but the Lonely Heart" (Russian: Нет, только тот, кто знал, romanized: Net, tol'ko tot, kto znal), a setting of Lev Mei's poem "The Harpist's Song" which in turn was a translation of "Nur wer die Sehnsucht kennt" from Goethe's ...
One year after in 1986, the group released their fifteenth album Nur wer die Sehnsucht kennt. This played out to be their comeback album, and it was the group's first gold record. It also contained the massive hit "Die rote Sonne von Barbados". With this song, they appeared on many German television programs, including the ZDF-Hitparade.
Mignon (Kennst du das Land) 2. Ballade des Harfners 3. Nur wer die Sehnsucht kennt 4. Wie nie sein Brot mit Tränen aß 5. Heiss' mich nicht reden 6. Wer sich der Einsamkeit ergibt 7. Singet nicht in Trauertönen 8. An die Thüren will ich schleichen 9. So lasst mich scheinen, bis ich werde. Op. 104, 7 Lieder (1851) Texts by Elisabeth Kulmann. 1.
"Wer nur den lieben Gott lässt walten", Op. 67, No. 45, by Max Reger After Bach and his forebears, there have been numerous arrangements of the hymn, in the eighteenth century and beyond. Organ preludes on the theme have been composed by Johann Peter Kellner , Johann Ludwig Krebs , Gottfried August Homilius and Johann Philipp Kirnberger .