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To improve students 'speaking ability in reading aloud (students' reading is recorded one = aloud) especially vocal sounds (a, e and u). Broadly speaking students are given a drill of some chant models with certain dominant sounds. After practice chant, tested the ability of students in uttering certain voiced words by reading a simple sentence ...
In the 17th century the repertoire was enriched with more choral and organ settings of the chorale tunes. By the end of the century a four-part setting for SATB voices had become the standard for the choral settings, while the congregational singing of chorales was tending towards monody with an instrumental accompaniment. The prolific creation ...
Choral poetry is a type of lyric poetry that was created by the ancient Greeks and performed by choruses (see Greek chorus). Originally, it was accompanied by a lyre , a string instrument like a small U-shaped harp commonly used during Greek classical antiquity and later periods.
cross-indexing of choral music using criteria including musical genre, period, and number and voicing of choral parts; composer information; description and performance considerations can be included for works; contents of collections of choral music; community discussion such as through "Talk" pages related to composers or specific works.
This category is intended for choral works that are not anthems, cantatas, oratorios or operas. Subcategories This category has the following 17 subcategories, out of 17 total.
Plainchant, associated with the Catholic Church, was largely replaced with choral music sung in the vernacular language—usually German—and the corresponding musical forms from Catholic countries, such as the motet, were replaced with forms that used as their basis the chorales instead of the plainsong from which much of the motet repertory ...
While the cantoris side of the choir corresponds to the Gospel side of the altar (so called from the custom of reading the Epistle from the south end of the altar, and the Gospel from the north end of the altar), cantoris and decani properly refer only to sides of the choir, not to the sides of the altar.
Carols for Choirs is a collection of choral scores, predominantly of Christmas carols and hymns, first published in 1961 by Oxford University Press.It was edited by Sir David Willcocks and Reginald Jacques, and is a widely used source of carols in the British Anglican tradition and among British choral societies. [1]
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