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Afro-Colombian youth playing the marimba de chonta. In Colombia the most widespread marimba is the marimba de chonta (peach-palm marimba). Marimba music has been listed on UNESCO as an intangible part of Colombian culture. [10] In recent times marimberos (marimba players) and the marimba genres as a whole have started to fade out in popularity. [8]
The Cubans call it marímbula, and most of the other Caribbean countries have adopted this name or some variant of it: marimba, malimba, manimba, marimbol. The instrument has a number of other names, such as marímbola (Puerto Rico), bass box, calimba (calymba), rhumba box, Church & Clap, Jazz Jim or Lazy Bass , and box lamellophone.
The marimba was introduced in Zimbabwean Music during the early 1960s when the Kwanongoma College of African Music in Bulawayo adopted it. [21] Founders of the college considered that marimba could boost the musical development of the country, and design a model that it's now known as Kwanongoma marimba. [22]
To marimba players this technique is called “transport”, and it is very common to see this technique applied to the marimba simple. Arch or Ring Marimba. The arch marimba was probably the first, followed by a simple instrument with a diatonic row of wood bars played with mallets, with gourd resonators, placed on a wooden a stand. In 1894 ...
Keiko Abe (安倍 圭子, Abe Keiko, born April 18, 1937) is a Japanese composer and marimba player. She has been a primary figure in the development of the marimba, in terms of expanding both technique and repertoire, and through her collaboration with the Yamaha Corporation, developed the modern five-octave concert marimba.
One of the first of such groups was a 25-piece, all-girl marimba ensemble for a Paramount Pictures event in Chicago. In 1933 at the Century of Progress International Exhibition in Chicago, Musser conducted a marimba orchestra of 100 players. A special marimba, the "Century of Progress Model" was designed by Musser and produced by the Deagan ...
Marimba is one of the traditional folk music styles performed in El Salvador and was first introduced by African slaves. Two versions, of the percussion instrument that has intonations like a piano, the marimba de arco , which was played with a bow, and the marimba criolla were introduced.
Leigh Howard Stevens (born March 9, 1953, in Orange, New Jersey [1]) is a marimba artist best known for developing, codifying, and promoting the Stevens technique or Musser-Stevens grip, a method of independent four-mallet marimba performance based on the Musser grip.