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Examples of passages that are neither scenes nor sequels include fragments [21] of scenes or sequels and passages of narration, description, or exposition. An example of a passage that includes elements of both scenes and sequels is the problem-solving passage , common in mystery and detective stories .
[23] Thompson comments that the scene's ability to make the viewer "apparently see two characters arguing with each other when only one is actually present creates an eerie, even astonishing moment that transcends the presentation in the book". [23] Tolkien fans have extensively discussed what mental illness this dual personality might represent.
[28] [29] The first half of the book leaves the audience questioning if the plot is real, but it ends up being about mental illnesses. From the point of view of somebody with a mental illness. [30] The Suicide of Claire Bishop, 2015 novel by Carmiel Banasky. Schizophrenia, Alzheimer's, and suicide are main topics. [31]
Evidence shows that reflective writing is a good way to increase empathy in medical students. [15] Another study showed that students who were assigned reflective writing during a camp developed greater self-awareness, had a better understanding of their goals, and were better able to recognize their personal development.
For example, studies [3] [4] have demonstrated correlations between creative occupations and people living with mental illness. There are cases that support the idea that mental illness can aid in creativity, but it is also generally agreed that mental illness does not have to be present for creativity to exist.
The dramatistic pentad forms the core structure of dramatism, a method for examining motivations that the renowned literary critic Kenneth Burke developed. Dramatism recommends the use of a metalinguistic approach to stories about human action that investigates the roles and uses of five rhetorical elements common to all narratives, each of which is related to a question.
In literature, psychological fiction (also psychological realism) is a narrative genre that emphasizes interior characterization and motivation to explore the spiritual, emotional, and mental lives of its characters. The mode of narration examines the reasons for the behaviours of the character, which propel the plot and explain the story. [1]
The tone of a piece of literature is the speaker's or narrator's attitude towards the subject, rather than what the reader feels, as in mood. Mood is the general feeling or atmosphere that a piece of writing creates within the reader. Mood is produced most effectively through the use of setting, theme, voice and tone.