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Edmund Spenser (/ ˈ s p ɛ n s ər /; born 1552 or 1553; died 13 January O.S. 1599) [2] [3] was an English poet best known for The Faerie Queene, an epic poem and fantastical allegory celebrating the Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of nascent Modern English verse, and he is considered one of the ...
Spenser recognized that the poem was for his own financial and political gains, but it also sets the idea of standing behind one's work. The work was a success; between 1579 and 1597 five editions were published. [6] One thing that separates the poem from others of its time is Spenser's use of allegory and his dependence on the idea of antiquity.
A portrait of Edmund Spenser. A View of the Present State of Irelande is a 1596 pamphlet by English writer, poet and soldier Edmund Spenser.The text is written in the form of a dialogue between two Englishmen, Eudox and Irenius; the former has never been to Ireland, while the latter has recently returned from the island while it was in the midst of the Tudor conquest.
The Faerie Queene is an English epic poem by Edmund Spenser.Books I–III were first published in 1590, then republished in 1596 together with books IV–VI. The Faerie Queene is notable for its form: at over 36,000 lines and over 4,000 stanzas, [1] it is one of the longest poems in the English language; it is also the work in which Spenser invented the verse form known as the Spenserian ...
Spenser also sent Raleigh several versions of the poem between 1591 and 1595 when the poem was published. [3] In the poem, Colin Clout gives a description of the London visit; the poem is Spenser's most autobiographical and identifies a number of anonymous poets, the real life identities of whom have been the grist of speculation over time. [4]
The House of Pride is a notable setting in Edmund Spenser's epic poem The Faerie Queene (1590, 1596). The actions of cantos IV and V in Book I take place there, and readers have associated the structure with several allegories pertinent to the poem.
This work, with the preceding one, is a rewriting of Spenser's first published work, on the theme of Roman liberty and its end. [14] It is not completely clear that authorship lies with Spenser The origins of this poem lay in a version via Clément Marot 's French of Standomi un giorno solo a la fenestra , which is canzone 323 by Petrarch .
Spenser’s poetic interest in the earthly nature of joy takes Epithalamion beyond an expression of celebratory, communal joy and into a more private, secret joy that remains ineffable. Finally, the poem moves toward affective joy, bestowing a kind of blessedness, or even grace, upon the listener, much like the practice of reciting the Psalms ...