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Big Noise from Winnetka" is a jazz song co-written by composer and bass player Bob Haggart and drummer Ray Bauduc, who were members of a sub-group of the Bob Crosby Orchestra called "The Bobcats". They also were the first to record it, in 1938.
Crosby was born in Spokane, Washington, [1] to bookkeeper Harry Lowe Crosby and Catherine "Kate" Harrigan, the daughter of a builder from County Mayo in Ireland. [2]The couple had seven children: Larry, Everett, Ted, Harry (popularly known as Bing Crosby), Catherine, Mary Rose, and George Robert, popularly known as Bob.
Early music was performed commonly as "house concerts"; even Mozart used the format. [19] The lute, an instrument with a "treasure house of music", works best in very small concerts of early music: "The lute is not very loud, and so is not a candidate for Carnegie Hall.
The Beatles, here playing at the London Palladium, shaped the musical tastes of youth in the 1960s, and for many pop music fans, the group's artistry has not been surpassed.
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.
In its first eight weeks, House of Music sold 318,502 copies in the US. [32] It peaked at number 32 on the Billboard 200 and spent 31 weeks on the chart. [33] "Thinking of You" was released as the second single on March 11, 1997, by which time House of Music had sold 514,000 copies, according to Nielsen SoundScan. [9]
The sizes of bobcats' home ranges vary significantly from 0.596–326 km 2 (0.23–126 sq mi). [38] One study in Kansas found resident males to have ranges of roughly 21 km 2 (8 sq mi), and females less than half that area. Transient bobcats were found to have home ranges of 57 km 2 (22 sq mi) and less
It didn't matter if Tame Impala was led by five women or five men, we knew that we wanted that style of music and that band on at that time." Ultimately, the problem with getting more female-led acts onto festival stages is the same problem all industries face in trying to make women more visible players: Sexism is systemic and often subtle.