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The Honeysuckle Bower is a self-portrait of the Flemish Baroque painter Peter Paul Rubens and his first wife Isabella Brant, executed c. 1609.The couple is seated in fine clothes within a garden composition and a vine of honeysuckle is placed overhead. The symbolism of the double-portrait alludes to meanings of love and marriage, such as the ...
Self-portrait in a Velvet Dress is described as: "Kahlo appears half length, wearing an elegant velvet dress, against a background of stylized waves. She presents herself as a comely young woman of the time, her hair neatly parted in the centre and combed into a chignon that highlights her oval face and symmetrical features.
Self-Portrait in Red and Gold Dress (MCMXLI) Autorretrato con vestido rojo y dorado (MCMXLI) Oil on canvas, 37.8 x 26.9 cm Collection of Jacques & Natasha Gelman, Mexico City, Mexico 1941 Self-Portrait with Bonito: Autorretrato con bonito: Oil on canvas, 55 x 43.4 cm Private collection, United States 1941 Self-Portrait with Braid: Autorretrato ...
Nevertheless, taking into account the fact that the female self-portrait appeared more than a century after the male self-portrait, and that for a long time there were fewer female artists, it would seem quite reasonable to place the proportion at a maximum of 15-20%.
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Kahlo painted The Two Fridas in 1939, the same year she divorced artist Diego Rivera, [1] although they remarried a year later. According to Kahlo's friend, Fernando Gamboa, the painting was inspired by two paintings that Kahlo saw earlier that year at the Louvre: Théodore Chassériau's The Two Sisters and the anonymous Gabrielle d'Estrées and One of Her Sisters.
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On the whole, Leyster's painting is similar to self-portraits by other women artists. In depicting herself at her easel with an unfinished painting, holding both a palette and a paintbrush, she creates a self-portrait that recalls Catharina van Hemessen's 1546 self-portrait, as well as a self-portrait by Sofonisba Anguissola that dates to c ...
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