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The name of the album is ironic in the French language because it uses both the familiar (te) and formal (vous) second-person pronouns.By using both the familiar and formal in the same short declaration, it shows a tension in the speaker's voice between the admiration of one that she respects formally, and someone that she dearly loves on a familiar level.
Parisienne (French: Peur de rien, lit. 'Afraid of Nothing') is a 2015 French drama film written and directed by Danielle Arbid. [3] It was screened in the Contemporary World Cinema section of the 2015 Toronto International Film Festival. [4]
Mademoiselle is a 1966 psychological thriller film directed by Tony Richardson. Jeanne Moreau plays the title character, a seemingly-respectable schoolteacher in a small French village, who is actually an undetected sociopath .
Lady J (French: Mademoiselle de Joncquières) is a 2018 French period drama film directed by Emmanuel Mouret and inspired by a story in Denis Diderot's novel Jacques the Fatalist, [2] which had already been adapted in 1945 for the film Les Dames du Bois de Boulogne by Robert Bresson.
View a machine-translated version of the French article. Machine translation, like DeepL or Google Translate , is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Mademoiselle from Paris (French: Mademoiselle de Paris) is a 1955 French comedy film directed by Walter Kapps and starring Jean-Pierre Aumont, Gisèle Pascal and Nadine Basile. The film was one of several films set in the work of high fashion made during the decade, popularising the New Look of Christian Dior. [1] It was shot using Eastmancolor.
Peter and Sloane was a 1980s French musical group. This duet was composed of Jean-Pierre Savelli (Peter) and Chantal Richard (Merry Sloane). Their greatest hit was the song, "Besoin de rien, envie de toi", which was number 1 for nine weeks in 1984 in France.
In 1835 Paris, Ryno de Marigny (Fu'ad Aït Aattou), before marrying the young and innocent Hermangarde (Roxanne Mesquida), makes a last visit to La Vellini (Asia Argento), his Spanish mistress, to bid goodbye in an act of lovemaking. His liaison with La Vellini is the subject of Parisian gossip, and before Hermangarde's grandmother gives her ...