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Lamentation by Giotto, 1305. The Lamentation of Christ [1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified, his body was removed from the cross and his friends mourned over his body.
From the late 16th century to the present, the standard complement has consisted of 14 pictures or sculptures depicting the following scenes: [18] [19] [20] Jesus is condemned to death; Jesus takes up his Cross; Jesus falls the first time; Jesus meets his Mother; Simon of Cyrene helps Jesus carry the Cross; Veronica wipes the face of Jesus
Christ taking Leave of his Mother, by Albrecht Altdorfer c. 1520, one of the treatments with a landscape background.. The subject does not illustrate any Biblical passage, but derives from one of the Pseudo-Bonaventura's "Meditations on the life of Christ" (1308), and the "Marienleben" (German for "Life of the Virgin"; about 1300) by Philipp von Seitz [], also known as "Brother Philipp, the ...
Christ Triumphant over Sin and Death (Rubens) Christ with a Staff; Christ with Moses and Solomon; Christ with the Eucharist and Saints Bartholomew and Roch; Christ with the Eucharist and Saints Cosmas and Damian; Christ's Appearance to Mary Magdalene after the Resurrection; Christ's Entry Into Brussels in 1889; The Conversion of Saint Paul ...
The Shadow of Death is a religious painting by the English painter William Holman Hunt, on which he worked from 1870 to 1873, during his second trip to the Holy Land. [1] It depicts Jesus as a young man prior to his ministry, working as a carpenter. He is shown stretching his arms after sawing wood.
In the Catacombs of Rome, artists just hinted at the Resurrection by using images from the Old Testament such as the fiery furnace and Daniel in the Lion's Den. The period between the year 250 AD and the liberating Edict of Milan in 313 AD saw violent persecutions of Christians under Decius and Diocletian. The most numerous surviving examples ...
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The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as responsible for Christ's death.