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Graffiti is the third studio album by American singer Chris Brown. It was released on December 8, 2009, by Jive Records . The album serves as a follow-up to his previous album Exclusive (2007).
"Crawl" is a song by American singer Chris Brown. It is the second single from his third studio album Graffiti, released as a digital download on November 24, 2009 by Jive Records. The song was produced by The Messengers and was written by Brown.
The album reached number 7 on the Billboard 200, becoming his joint-lowest charting album since Graffiti. Fan of a Fan: The Album has spawned the single " Ayo "; which was a commercial success in the United Kingdom, peaking at number 6 on the UK Singles Chart , and later being certified 2× Platinum by the BPI .
"Sing Like Me" is a song by American recording artist Chris Brown. It was released as a promotional single from his third studio album, Graffiti, on November 24, 2009, in the United States. The number was written by Brown, Big Makk, Keith Thomas, Lorenza "Big Lo" Lennon
Following Graffiti, Brown released his fourth album F.A.M.E. (2011), which was his first album to top the Billboard 200. The album contained three commercially successful singles—" Yeah 3x ", " Look at Me Now " and " Beautiful People "—and earned him the Grammy Award for Best R&B Album .
"I Can Transform Ya" is a song by American singer Chris Brown from his third album Graffiti. The song features vocals from American rappers Lil Wayne and Swizz Beatz.The artists co-wrote the song with Lonny Bereal, Trayce Green, and Jason "Poo Bear" Boyd, with Beatz producing the track.
Credit - Illustration by Natalie Nelson for TIME; Source Image: Chris Ware—Keystone Features/Hulton Archive/Getty Images. T he best nonfiction books of the year tackle undeniably difficult ...
11:11 is a double album, with its two sides containing 11 tracks each. [19] The album's musical style mixes R&B, pop music, Afrobeats and dancehall. [2] According to Kayla Sandiford of Renowned for Sound, 11:11 "seeks to make use of a range of rhythmic elements", with Brown incorporating Afrobeats "on various tracks which embrace a funkier, percussion-driven feel". [20]
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