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Copperplate Gothic is a typeface designed by Frederic W. Goudy and first produced by American Type Founders (ATF) beginning in 1901. While termed a " Gothic " (another term for sans-serif), the face has small glyphic serifs that act to emphasize the blunt terminus of vertical and horizontal strokes. The typeface shows an unusual combination of ...
Frederic William Goudy (/ ˈɡaʊdi / GOW-dee; [2] March 8, 1865 – May 11, 1947) was an American printer, artist and type designer whose typefaces include Copperplate Gothic, Goudy Old Style and Kennerley. [3] He was one of the most prolific of American type designers and his self-named type continues to be one of the most popular in America.
Copperplate Gothic (1905, ATF), originally designed for Marder, Luse, & Co., ATF immediately adopted it and made it the first in a hugely successful series: Clarence C. Marder and Morris Fuller Benton later cut dozens of variations for ATF. 'Gothic' was a contemporary term for sans-serif typefaces; it has nothing to do with 'gothic' or ...
The "Included from" column indicates the first edition of Windows in which the font was included. Typeface ... Copperplate Gothic [2] Display: Proportional: Light, Bold:
A copperplate script is a style of calligraphic writing most commonly associated with English Roundhand. Although often used as an umbrella term for various forms of pointed pen calligraphy, Copperplate most accurately refers to script styles represented in copybooks created using the intaglio printmaking method .
Copperplate Gothic Series Copperplate Gothic Heavy (1905, Goudy), originally designed for Marder, Luse, & Co. , ATF immediately adopted it and made it the first in a hugely successful series. P. T. Barnum (1938 + 1949) a revival of Marder, Luse, & Co.'s nineteenth century French Clarendon, also known as Italian Condensed .
Examples of grotesque typefaces include Akzidenz-Grotesk, Venus, News Gothic, Franklin Gothic, IBM Plex and Monotype Grotesque. Akzidenz Grotesk Old Face, Knockout, Grotesque No. 9 and Monotype Grotesque are examples of digital fonts that retain more of the eccentricities of some of the early sans-serif types. [10] [11] [12] [13]
Additional serif typefaces. Algerian. Allegro. Arvo. Aurora. Belwe Roman. Book Antiqua (Monotype 's imitation of Palatino) Berkeley Old Style.
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