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A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers in enclosures all controlled by a mixing console that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. [1][2] In many situations, a sound reinforcement system is also ...
Wall of Sound (Grateful Dead) A model of the "Wall of Sound", on display at the Dead Forever Experience exhibit at the Venetian. The Wall of Sound was an enormous sound reinforcement system designed in 1973 specifically for the Grateful Dead 's live performances. The largest concert sound system built at that time, [1][2] the Wall of Sound ...
The inset shows the electronic simulation. Notably, such electronic systems require more than one speaker. Time difference in a stereophonic recording of a car going past. Stereophonic sound, or more commonly stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective.
Diagram showing a Hafler circuit. The Hafler circuit is a passive electronics circuit with the aim of getting derived surround sound or ambiophony from regular stereo recordings without using costly electronics. Such circuits are generally known as matrix decoders. The Dynaquad system works using similar principles. [1]
Typically, the speaker would be covered with a metal grille to protect it. A stage monitor system is a set of performer-facing loudspeakers called monitor speakers, stage monitors, floor monitors, wedges, or foldbacks on stage during live music performances in which a sound reinforcement system is used to amplify a performance for the audience.
The Wall of Sound (also called the Spector Sound) [1][2] is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session musicians later known as "the Wrecking Crew". The intention was to exploit the possibilities of ...
Smaart (System Measurement Acoustical Analysis in Real Time) is a suite of audio and acoustical measurements and instrumentation software tools [1] introduced in 1996 by JBL 's professional audio division. It is designed to help the live sound engineer optimize sound reinforcement systems before public performance and actively monitor ...
A monitor engineer and console at an outdoor event. Live sound mixing is the blending of multiple sound sources by an audio engineer using a mixing console or software. Sounds that are mixed include those from instruments and voices which are picked up by microphones (for drum kit, lead vocals and acoustic instruments like piano or saxophone and pickups for instruments such as electric bass ...