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Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.
Medieval music. Guido of Arezzo (Italian: Guido d'Arezzo; [n 1] c. 991–992 – after 1033) was an Italian music theorist and pedagogue of High medieval music. A Benedictine monk, he is regarded as the inventor—or by some, developer—of the modern staff notation that had a massive influence on the development of Western musical notation and ...
Music in Medieval England. Music in Medieval England, from the end of Roman rule in the fifth century until the Reformation in the sixteenth century, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite. The sources of English secular music are much more limited than for ecclesiastical music.
Courtly love. Courtly love (Occitan: fin'amor [finaˈmuɾ]; French: amour courtois [amuʁ kuʁtwa]) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their ...
The Danse Macabre (/ dɑːns məˈkɑːb (rə)/; French pronunciation: [dɑ̃s ma.kabʁ]), also called the Dance of Death, is an artistic genre of allegory from the Late Middle Ages on the universality of death. The Danse Macabre consists of the dead, or a personification of death, summoning representatives from all walks of life to dance along ...
t. e. As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of high medieval and early modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest.
Part of this divergence was from the death of Machaut, where—after a brief continuance of the Ars nova style through the post-Machaut generation of F. Andrieu, Grimace, Jehan Vaillant and P. des Molins —there was a new rhythmically-complex style now known as ars subtilior. The major figures of ars subtilior included both composers from ...
A rondeau (French: [ʁɔ̃do]; plural: rondeaux) is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of three formes fixes, and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries.