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  2. Carole Jackson - Wikipedia

    en.wikipedia.org/wiki/Carole_Jackson

    GQ in 2023 called Color Me Beautiful "seminal". [11]Criticism of Jackson's work in the 80s included arguments that "Any woman can wear black". [14] Criticism in the 2020s includes that the book uses dated language surrounding gender and that the original book focussed mostly on white people and assigned all people of color to the winter category.

  3. Feminine beauty ideal - Wikipedia

    en.wikipedia.org/wiki/Feminine_beauty_ideal

    Skin color contrast has been identified as a feminine beauty standard observed across multiple cultures. [7] Women tend to have darker eyes and lips than men, especially relative to the rest of their facial features, and this attribute has been associated with female attractiveness and femininity, [7] yet it also decreases male attractiveness according to one study. [8]

  4. Circassian beauty - Wikipedia

    en.wikipedia.org/wiki/Circassian_beauty

    The concept of Circassian beauty is an ethnic stereotype of the Circassian people. A fairly extensive literary history suggests that Circassian women were thought to be unusually beautiful and attractive, spirited, smart, and elegant. Therefore, they were seen as mentally and physically desirable for men, although most Circassians traditionally ...

  5. Uemura Shōen - Wikipedia

    en.wikipedia.org/wiki/Uemura_Shōen

    Order of Culture. Uemura Shōen (上村 松園, April 23, 1875 – August 27, 1949) was the pseudonym of an artist in Meiji, Taishō and early Shōwa period Japanese painting. Her real name was Uemura Tsune. Shōen was known primarily for her bijin-ga, or paintings of beautiful women, in the nihonga style, although she produced numerous works ...

  6. Gallery of Beauties - Wikipedia

    en.wikipedia.org/wiki/Gallery_of_Beauties

    Gallery of Beauties. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1] All but two were painted between 1827 and 1850 by Joseph Karl Stieler ...

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