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The generative theory of tonal music (GTTM) is a system of music analysis developed by music theorist Fred Lerdahl and linguist Ray Jackendoff. [1] First presented in their 1983 book of the same title, it constitutes a "formal description of the musical intuitions of a listener who is experienced in a musical idiom" [1] with the aim of illuminating the unique human capacity for musical ...
The fundamental concept of musical set theory is the (musical) set, which is an unordered collection of pitch classes. [4] More exactly, a pitch-class set is a numerical representation consisting of distinct integers (i.e., without duplicates). [5] The elements of a set may be manifested in music as simultaneous chords, successive tones (as in ...
David Benjamin Lewin (July 2, 1933 – May 5, 2003) was an American music theorist, music critic and composer.Called "the most original and far-ranging theorist of his generation", [1] he did his most influential theoretical work on the development of transformational theory, which involves the application of mathematical group theory to music.
In modern academia, music theory is a subfield of musicology, the wider study of musical cultures and history. Music theory is often concerned with abstract musical aspects such as tuning and tonal systems, scales, consonance and dissonance, and rhythmic relationships. In addition, there is also a body of theory concerning practical aspects ...
1733 (1733): Hamburg. Tafelmusik is a collection of instrumental compositions by Georg Philipp Telemann (1681–1767), published in 1733. The original title is Musique de table. The work is one of Telemann's most widely known compositions; it is the climax and at the same time one of the last examples of courtly table music.
1936365537. How Music Works is a non-fiction book by David Byrne, a musician, composer, and writer best known for his work with the group Talking Heads. He discusses the form and influence of music in a non-linear narrative fashion, using a variety of experiences from his career to create something part autobiography and part music theory.
Augmented unison. In modern Western tonal music theory an augmented unison or augmented prime[3] is the interval between two notes on the same staff position, or denoted by the same note letter, whose alterations cause them, in ordinary equal temperament, to be one semitone apart.
The legend is, at least with respect to the hammers, demonstrably false. It is probably a Middle Eastern folk tale. [2] These proportions are indeed relevant to string length (e.g. that of a monochord) — using these founding intervals, it is possible to construct the chromatic scale and the basic seven-tone diatonic scale used in modern music, and Pythagoras might well have been influential ...