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An idyll (/ ˈ aɪ d ɪ l /, UK also / ˈ ɪ d ɪ l /; from Greek εἰδύλλιον (eidullion) 'short poem'; occasionally spelled idyl in American English) [1] [2] [3] is a short poem, descriptive of rustic life, written in the style of Theocritus's short pastoral poems, the Idylls (Εἰδύλλια). Unlike Homer, Theocritus did not engage ...
Theocritus, The Second and Seventh Idylls (1927), translated by Charles Stuart Calverley. Illustrated with woodcuts by Elizabeth Rivers (John Lane, London). Theocritus, Theocritus. The Greek text with translation and commentary by A.S.F. Gow (2nd ed. 1952, Cambridge) Theocritus: Select Poems, (1971) commentary by K.J. Dover, London.
Chalcedony scaraboid seal stone: 4th cent. BC. Fox and vine. A shepherd and a goatherd meet in the pastures one noontide and compliment each other upon their piping. [1] The shepherd, Thyrsis by name, is persuaded by the other—for a cup which he describes but does not at first show—to sing him The Affliction of Daphnis, a ballad which tells how the legendary cowherd, friend not only of ...
Idyll XXI, also called Ἁλιεῖς ('The Fisherman'), is a poem traditionally attributed to the 3rd century BC Greek poet Theocritus. [1] After some verses addressed to Diophantus, a friend about whom nothing is known, the poet describes the toilsome life of two old fishermen. [2]
This idyll is one of Theocritus' best-well-known bucolics, along with Idylls I, VI, and VII. Idyll XI has an unusual set of narrative framing, as Theocritus appears in propria persona, and directly offers his friend Nicias consolatio amoris. [2] Nicias worked as a doctor, and it is likely the two knew each other in their youth. [3]
Syracusan Bride leading Wild Animals in Procession to the Temple of Diana (1866). This monologue consists of two parts; in the first part a Coan girl named Simaetha, assisted by her maid Thestylis, lays a fire-spell upon her neglectful lover, the young athlete Delphis; in the second, when her maid goes off to smear the ashes upon his lintel, she tells the Moon how his love was won and lost. [1]
He reminds us that poetry by definition "seeks a foundation of the commonwealth in the truth of the individual, guaranteed and restored through the integrity of Language." Hontanares was published by Devenir (el otro), Madrid, 2012. It is a bilingual collection of poems translated into Spanish by Natalia Carbajosa from Cartagena.
The etymology is uncertain. [2] The oldest known form, Brecheliant, could be based on the Celtic Brec'h (hill), followed by a man's name. [3] The later form of Brocéliande could be derived from bro (meaning country in Breton, Cornish and Welsh), but this variant does not appear until the 12th century, in the work of Chrétien de Troyes.