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The pattern is drawn on the fabric and the threads, which go to-and-fro across the circular motif and are either taken through running stitches worked along the pattern lines or stitched directly through the fabric. When finished, the motifs are released by either cutting the running stitches or cutting away the backing fabric.
Almost all the Miao decorate hemp and cotton by applying hot wax, and then dipping the cloth in an indigo dye. The cloth is then used for skirts, panels on jackets, aprons and baby carriers. Like the Javanese, their traditional patterns contain symbolism; the patterns include the dragon, phoenix, and flowers. [53] [54] [55]
Brussels lace is part lace.This is made in pieces, with the flowers and design made separate from the ground, unlike Mechlin lace or Valenciennes lace; because of this, the long threads that form the design always follow the curves of the pattern, whereas in bobbin laces made all at the same time, the threads are parallel to the length of the lace. [3]
A patchwork quilt is a quilt in which the top layer may consist of pieces of fabric sewn together to form a design. [1] Originally, this was to make full use of leftover scraps of fabric, but now fabric is often bought specially for a specific design. Fabrics are now often sold in quarter meters (or quarter yards in the United States).
Hmong women at a market in Sapa, Vietnam. Hmong Textile Art consists of traditional and modern textile arts and crafts produced by the Hmong people.Traditional Hmong textile examples include hand-spun hemp cloth production, basket weaving, batik dyeing, and a unique form of embroidery known as flower cloth or Paj Ntaub in the Hmong language RPA.
The fabric used for making Bandhani sarees and dupattas are loosely woven silk called Georgette, or cotton known as Malmal. The knots are tightly tied, and the rest of the fabric is dyed in multiple stages. This leaves the knots undyed and hence a beautiful flower-like pattern appears all over the cloth as a design.
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When the first colour was finished, the finished fabric was set aside to dry. If more than one colour was used, once the fabric was dry, a block with the next colour would be inked and carefully impressed over the image left by the first. The same process and the same blocks could be used for making both fabrics and wallpaper.
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