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Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs.Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues.
Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. [1] Contrasting song forms include through-composed, with new music written for every stanza, [1] and ternary form, with a contrasting central section.
Following the identification of a word comes the understanding of meaning, and which meaning the word is intending in the context of the song. If a lyric is not properly set, a word might be mistaken for a different word, or be completely unidentified. Songs are constantly moving forward, so there is little time for the listener to decipher words.
Example: In "Kubla Khan" by Samuel Taylor Coleridge—“twice five miles of fertile ground” (i.e., 10 miles). Epistrophe (aka epiphora): the repetition of a word or expression at the end of successive phrases or verses. Epizeuxis: the immediate repetition of a word or phrase for emphasis.
The grand style may also feature epistrophe (Greek for 'return', [6] also known as epiphoras or epiphora, 'to carry upon' [7]), in which the end parts of clauses are emphasized: Where affections bear rule, their reason is subdued, honesty is subdued, good will is subdued, and all things else that withstand evil for ever are subdued. —
The second stanza of William Blake's London represents an example of anaphora. This image is a digital reproduction of his hand-painted 1826 print from Copy AA of Songs of Innocence and Experience. The item is currently in the collection of the Fitzwilliam Museum. [1]
Epistrophe (Greek: ἐπιστροφή, "return") is the repetition of the same word or words at the end of successive phrases, clauses or sentences. [1] It is also known as epiphora and occasionally as antistrophe .
In rhetoric, antanaclasis (/ æ n t ə ˈ n æ k l ə s ɪ s, ˌ æ n t æ n ə ˈ k l æ s ɪ s /; from the Greek: ἀντανάκλασις, antanáklasis, meaning "reflection", [1] from ἀντί anti, "against", ἀνά ana, "up" and κλάσις klásis "breaking") is the literary trope in which a single word or phrase is repeated, but in two different senses. [2]