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The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...
The oil painting combines two events from Biblical account of the Passion of Jesus: the Mocking of Jesus and the Crowning with Thorns.A serene Jesus, dressed in white at the centre of the busy scene, is gazing calmly from the picture, in contrast with the violent intent of the four men around him. [6]
Earlier this year a picture re-emerged that showed what Jesus might have looked like as a kid. Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from ...
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
"Pensive Christ" (Chrystus Frasobliwy) by Władysław SkoczylasThe Pensive Christ (German: Christus im Elend – 'Christ in Distress' or Christus in der Rast; Polish: Chrystus Frasobliwy – 'Worried Christ'; Lithuanian: Rūpintojėlis) is a subject in Christian iconography depicting a contemplating Jesus, sitting with his head supported by his hand with the Crown of Thorns and marks of his ...
Christ Leaving the Praetorium is an oil-on-canvas painting by French artist Gustave Doré, created between 1867 and 1872.It was the largest of his religious paintings, with the dimensions of 609 by 914 cm, and is considered to be the "the work of his life".
His entry for 27 June 1874 reads, "I regret to say that against good advice and wise warning I went to see Holman Hunt's picture of the Shadow of Death. It was a waste of a good shilling. I thought the picture theatrical and detestable and wished I had never seen it." [5] The painting was a popular success and was widely reproduced as an engraving.