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"Way Maker" is a contemporary worship song written by Nigerian gospel singer Sinach. It was released as a single on 30 December 2015. It was released as a single on 30 December 2015. The song has been covered by a number of Christian music artists worldwide including charting hit versions by Michael W. Smith , Mandisa , Leeland and Passion .
Way Maker" has been covered by over 60 Christian artists such as Michael W. Smith, Darlene Zschech, Leeland, Bethel Music, and Mandisa and in many languages. [ 12 ] [ 13 ] [ 14 ] In the first few weeks of the Coronavirus pandemic and lockdown in 2020, Way Maker was the go to song, as several viral videos in hospitals, parks were made with large ...
Greatest Lord is the 12th studio album by Nigerian born worship leader Sinach.It was released on April 2, 2021 by Integrity Music.The album features collaborations with Darlene Zschech, Leeland, Maranda Curtis, Micah Stampley, Jekalyn Carr, Nathaniel Bassey, Da'Dra Greathouse, Panam Percy Paul; [2] making it the first Gospel album from Africa to feature a high assemblage of American gospel ...
Way Productions is a group of musicians affiliated with The Way International.The lyrics to their songs are based on the Bible and practical application of it. They perform every Sunday afternoon at The Way's headquarters in New Knoxville, Ohio, for the Way's Sunday teaching services.
Leeland is a Christian rock band from Baytown, Texas.The band was formed in 2004, although lead singer Leeland Mooring had been writing songs beforehand. Leeland consists of Leeland Mooring (lead vocals, guitar), and Casey Moore (guitar, background vocals).
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This song was meant to imitate reggae and its "dub" derivative emerging from Jamaica in the early 1970s.Its genesis is traced to Led Zeppelin's rehearsals at Stargroves in 1972, when drummer John Bonham started with a beat similar to 1950s doo-wop, and then twisted it into a slight off beat tempo, upon which a reggae influence emerged. [3]
Sivu's debut single, "Better Man Than He", was released on 25 February 2013. The single was described by Complex as "immediately catchy but [with] enough lyrical substance to reward multiple listens."