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A polyptych (/ ˈ p ɒ l ɪ p t ɪ k / POL-ip-tik; Greek: poly-"many" and ptychē "fold") is a work of art (usually a panel painting) which is divided into sections, or panels. Some definitions restrict "polyptych" to works with more than three sections: [ 1 ] a diptych is a two-part work of art; a triptych is a three-part work; a tetraptych or ...
Ply-split braiding is a technique where one twisted cord ("splitter") passes through another twisted cord or cords splitting the plies of the latter cords ("splittee" cords). This is unlike weaving or many forms of braiding where cloth is formed by threads interlacing in an over-under sequence. Pattern is formed by cord color, and splitting order.
Splitting is the tendency to view events or people as either all bad or all good. [1] When viewing people as all good, the individual is said to be using the defense mechanism idealization : a mental mechanism in which the person attributes exaggeratedly positive qualities to the self or others.
A triptych (/ ˈ t r ɪ p t ɪ k / TRIP-tik) is a work of art (usually a panel painting) that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is ...
Splitting, also called binary thinking, dichotomous thinking, black-and-white thinking, all-or-nothing thinking, or thinking in extremes, is the failure in a person's thinking to bring together the dichotomy of both perceived positive and negative qualities of something into a cohesive, realistic whole.
Lumpers and splitters are opposing factions in any academic discipline that has to place individual examples into rigorously defined categories.The lumper–splitter problem occurs when there is the desire to create classifications and assign examples to them, for example, schools of literature, biological taxa, and so on.
"Diptych" is also often used in reference to films or pieces of literature that form a complementary pair. When taken together, they are viewed as illuminating each other and comprising a distinct work of art from the individual parts. An example is the pair of Alan Ayckbourn plays, House and Garden.
Charles Blanc’s color wheel, which was influential in Divisionist theory. Divisionism, also called chromoluminarism, is the characteristic style in Neo-Impressionist painting defined by the separation of colors into individual dots or patches that interact optically.