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In music, letter notation is a system of representing a set of pitches, for example, the notes of a scale, by letters. For the complete Western diatonic scale, for example, these would be the letters A-G, possibly with a trailing symbol to indicate a half-step raise (sharp, ♯) or a half-step lowering (flat, ♭). This is the most common way ...
I Can't Get You Off of My Mind; I Can't Help It (If I'm Still in Love with You) I Could Never Be Ashamed of You; I Don't Care (If Tomorrow Never Comes) (I Heard That) Lonesome Whistle (co-written with Jimmie Davis) I Hope You Shed a Million Tears (lyrics by Williams, recorded by Vince Gill and Rodney Crowell for The Lost Notebooks of Hank Williams)
Added tone chord notation is useful with seventh chords to indicate partial extended chords, for example, C 7add 13, which indicates that the 13th is added to the 7th, but without the 9th and 11th. The use of 2, 4, and 6 rather than 9, 11, and 13 indicates that the chord does not include a seventh unless explicitly specified.
"Hurt So Bad" is a song written by Teddy Randazzo, Bobby Weinstein, and Bobby Hart. It is a 1965 Top 10 hit ballad originally recorded by Little Anthony & The Imperials . Linda Ronstadt also had a Top 10 hit with her cover version in 1980.
A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
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"Hurt So Bad" (1969) "I Have Dreamed" is a show tune from the 1951 Rodgers and Hammerstein musical, The King and I.