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A tondo (pl.: tondi or tondos) is a Renaissance term for a circular work of art, either a painting or a sculpture. The word derives from the Italian rotondo , "round". The term is usually not used in English for small round paintings, but only those over about 60 cm (two feet) in diameter, thus excluding many round portrait miniatures – for ...
Franz Moritz Wilhelm Marc (8 February 1880 – 4 March 1916) [1] was a German painter and printmaker, one of the key figures of German Expressionism.He was a founding member of Der Blaue Reiter (The Blue Rider), a journal whose name later became synonymous with the circle of artists collaborating in it.
From 1965 to 1968, Downing taught at the Corcoran College of Art and Design in Washington, D.C. There he taught several people who in their turn became artists influenced by Downing's ideas. His paintings to a large extent consisted of circles arranged in precise patterns on the canvas, with colors often chosen according to ideas of symmetry.
Ensō (c. 2000) by Kanjuro Shibata XX.Some artists draw ensō with an opening in the circle, while others close the circle.. In Zen art, an ensō (円 相, "circular form") [1] is a circle hand-drawn in one or two uninhibited brushstrokes to express the Zen mind, which is associated with enlightenment, emptiness, freedom, and the state of no-mind.
Heavy Circles: Norton Simon Museum, Pasadena 57.2 x 52.1 1928 On the Points: Musée National d'Art Moderne, Paris 140 x 140 1928 A Circle: Musée National d'Art Moderne, Paris 35 x 25 1928 Gentle Event: Musée National d'Art Moderne, Paris 38.6 x 67.8 Oil paint on card board 1928 Coloured Sticks: Solomon R. Guggenheim Museum, New York 42.9 x 32.7
'little glory'), is a crown of light rays, circle or disk of light [3] that surrounds a person in works of art. The halo occurs in the iconography of many religions to indicate holy or sacred figures, and has at various periods also been used in images of rulers and heroes.
Roger Brown (December 10, 1941 – November 22, 1997) was an American artist and painter. Often associated with the Chicago Imagist groups, he was internationally known for his distinctive painting style and shrewd social commentaries on politics, religion, and art.
The smaller 1886 version of The Magic Circle, 88 cm x 60 cm (34.6 in x 23.6 in), in a private collection Miranda - The Tempest by J. W. Waterhouse (1916) A study for the painting, c. 1886, in a private collection. The Magic Circle is an 1886 oil painting in the Pre-Raphaelite style by John William Waterhouse. Two copies of the painting were ...
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