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Ana Mendieta (November 18, 1948 – September 8, 1985) was a Cuban-American performance artist, sculptor, painter, and video artist who is best known for her "earth-body" artwork. She is considered one of the most influential Cuban-American artists of the post–World War II era.
Untitled (Rape Scene) is a color photograph documentation created from a 35mm slide by Cuban American artist Ana Mendieta. [1] She made it during an April 1973 performance while still a student at the University of Iowa. It is one of three photographs she created in reaction to the rape and murder of a woman on campus. [2]
This is a partial list of 20th-century women artists, sorted alphabetically by decade of birth.These artists are known for creating artworks that are primarily visual in nature, in traditional media such as painting, sculpture, photography, printmaking, ceramics as well as in more recently developed genres, such as installation art, performance art, conceptual art, digital art and video art.
Viso has curated many major exhibitions, including Ana Mendieta: Earth Body, Sculpture and Performance 1972-1985, a retrospective of about 100 works shown at the Hirshhorn and the Whitney Museum of American Art in 2004. [10] Another exhibition Viso curated was Jim Hodges: Give More Than You Take.
Untitled (Rape Scene), a 1973 performance art work by Ana Mendieta; Untitled, a 1977 painted aluminum sculpture by Ivan Morrison; R. Untitled, a ...
This is a list by date of birth of historically recognized American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting, sculpture, photography, and printmaking, as well as more recent genres, including installation art, performance art, body art, conceptual art, digital art and video art.
Ana likes to run on the beach with her dog and isn’t afraid of taking a good walk with a pal. View this post on Instagram A post shared by A N A D E A R M A S (@ana_d_armas)
In 1972, rebelling against the compulsion to be beautiful, Ana Mendieta pressed her face against a glass plane, so as to squash and distort it. A few years later, while unaware of Mendieta’s work, Katalin Ladik did something similar in Yugoslavia. Other female artists made work relating to allegorical statues and paintings.