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In Greek mythology, Proteus (/ ˈ p r oʊ t i ə s, ˈ p r oʊ t. j uː s / PROH-tee-əs, PROHT-yooss; [1] Ancient Greek: Πρωτεύς, romanized: Prōteús) is an early prophetic sea god or god of rivers and oceanic bodies of water, one of several deities whom Homer calls the "Old Man of the Sea" (hálios gérôn). [2]
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The king protea is the national flower [4] of South Africa and as such lends its name to the national cricket team, whose nickname is "the Proteas". In the early 1990s, there was a political debate as to how and if the flower should be incorporated onto the national rugby teams shirts, perhaps replacing the controversial springbok .
Color Symbolism in The Bible An in depth study on symbolic color occurrence in The Bible. Christian Symbol Wood Carvings Forty symbols at Kansas Wesleyan University; Old Christian Symbols from book by Rudolf Koch; Christian Symbols, Origins and Meanings; Tree of Jesse Directory by Malcolm Low. Archived 2008-10-12 at the Wayback Machine ...
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
The term "throne" is used both literally and metonymically in the Hebrew Bible.. As a symbol for kingship, the throne is seen as belonging to David, or to God Himself. In 1 Kings 1:37 Benaiah's blessing to Solomon was "may the LORD... make his throne greater than the throne of my lord king David"; while in 1 Chronicles 29:23 we are told "Solomon sat on the throne of the LORD as king".
The name Proteaceae was adapted by Robert Brown from the name Proteae coined in 1789 for the family by Antoine Laurent de Jussieu, based on the genus Protea, which in 1767, Carl Linnaeus derived from the name of the Greek god Proteus, a deity who was able to change between many forms.
In 1991 Dmitri Smirnov wrote a set of 4 études for clarinet and narrator called "Job's Studies", using plates 1, 3, 8 and 13 and citing Job 1:1-2, 1:16, 3:3 and 38:1-2 (differing from the verses Blake paraphrased with two of these plates).