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As the epilogue would frame the end of the play it would allow the speaker to both simultaneously perform and reflect on the character. In combining both the speaker's persona and character, Felicity Nussbaum called this the "double consciousness". This invites the audience to reflect on each moment and its meaning behind it.
A sentence is written without spaces and a space is typically used to mark the end of a clause or sentence. Tibetic The Tibetan script uses two different full stops: tshig-grub ( U+0F0D ། TIBETAN MARK SHAD ) marks the end of a section of text, while the don-tshan ( U+0F0E ༎ TIBETAN MARK NYIS SHAD ) is used to mark the end of a whole topic.
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings.
Laura is in many ways both the culmination of medieval courtly love poetry and the beginning of Renaissance love lyric. A bhajan or kirtan is a Hindu devotional song. Bhajans are often simple songs in lyrical language expressing emotions of love for the Divine. Notable authors include Kabir, Surdas, and Tulsidas.
Eliot wrote "The Love Song of J. Alfred Prufrock" between February 1910 and July or August 1911. Shortly after arriving in England to attend Merton College, Oxford in 1914, Eliot was introduced to American expatriate poet Ezra Pound, who instantly deemed Eliot "worth watching" and aided the start of Eliot's career.
An unusual example is The Stand wherein he uses lyrics from certain songs to express the metaphor used in a particular part. Epigraph, consisting of an excerpt from the book itself, William Morris's The House of the Wolfings. Jack London uses the first stanza of John Myers O'Hara's poem "Atavism" as the epigraph to The Call of the Wild.
The conclusion of the book — a love story between art gallery owner Soléne Marchand and a famous (and much younger) boy bander named Hayes Campbell — leaves its two leads in a much different ...
Matla': The first sher in a ghazal is called the ' matla ' '. Both lines of the matla ' must contain the qafiya and radif. The matla ' sets the tone of the ghazal, as well as its rhyming and refrain pattern. Radif: The refrain word or phrase. Both lines of the matla ' and the second lines of all subsequent shers must end in the same refrain ...