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Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
In a normal name list, those two parts of the full name are put in two different columns. However, in daily conversation, the last word in a name with a title before it is used to call or address a person: "Ông Dũng", "Anh Dũng", etc., with "Ông" and "Anh" being words to address the person and depend on age, social position, etc.
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Mạc Đăng Dung (莫登庸) 1527–1529 Mạc Thái Tông (莫太宗) Đại Chính (大正) Mạc Đăng Doanh (莫登瀛) 1530–1540 Mạc Hiến Tông (莫憲宗) Quãng Hòa (廣和) Mạc Phúc Hải (莫福海) 1541–1546 Mạc Chính Trung (莫正中) none: Mạc Chính Trung (莫正中) 1546–1547 Mạc Tuyên Tông (莫宣宗)
𤾓 Trăm 𢆥 năm 𥪞 trong 𡎝 cõi 𠊛 người 些， ta, 𤾓 𢆥 𥪞 𡎝 𠊛 些， Trăm năm trong cõi người ta, A hundred years in the realm of humanity, 2) 𡨸 Chữ 才 tài 𡨸 chữ 命 mệnh 窖 khéo 𱺵 là 恄 ghét 𠑬。 nhau. 𡨸 才 𡨸 命 窖 𱺵 恄 𠑬。 Chữ tài chữ mệnh khéo là ghét nhau. Talent and destiny resent each other. 3) 𣦰 ...
Luong was ordained to the priesthood on 21 May 1966. [4] Although ordained for the Diocese of Da Nang, the increasing violence of the Vietnam War prevented him from returning to his native country. [2] He pursued postgraduate studies at Canisius College in Buffalo, where he earned a Master of Science degree in biology and psychology in 1967. [1]
In Hanoi, tourists get fitted with áo dài on Luong Van Can Street. [29] The elegant city of Huế in the central region is known for its áo dài, nón lá (lit. ' traditional leaf hat '), and well-dressed women. The áo dài is now a standard for weddings, for celebrating Tết and for other formal occasions.