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The authorship and the exact date and of the poem are unknown though both questions have enjoyed considerable speculation. In his first printing of the poem, de Worde added the colophon ' Thus endeth this lytyll moralized treatyse compiled by dan Iohn Lydgat somtyme monke of Bury on whose soule have mercy.'
Metaphors can be paraphrased, and implicit meaning in a poem can be made explicit. Even if there are aspects of a poem that are not paraphrasable, such as sound and form, no one expects a paraphrase to contain a poem's exact meaning. However, a paraphrase cannot replicate the same beauty as the poem it is based on. [6]
Folio 129r of the early eleventh-century Oxford, Bodleian Library, MS Hatton 43, showing a page of Bede's Latin text, with Cædmon's Hymn added in the lower margin. Cædmon's Hymn is a short Old English poem attributed to Cædmon, a supposedly illiterate and unmusical cow-herder who was, according to the Northumbrian monk Bede (d. 735), miraculously empowered to sing in honour of God the Creator.
The poem is an ode, and its subject is the pursuit of the human soul by God's love - a theme also found in the devotional poetry of George Herbert and Henry Vaughan. Moody and Lovett point out that Thompson's use of free and varied line lengths and irregular rhythms reflect the panicked retreat of the soul, while the structured, often recurring refrain suggests the inexorable pursuit as it ...
The poem uses the image of a flowering plant - specifically that of a chasmophyte rooted in the wall of the wishing well - as a source of inspiration for mystical/metaphysical speculation [1] and is one of multiple poems where Tennyson touches upon the topic of the relationships between God, nature, and human life. [2]
The poem explicates Patton's theory that "one is reincarnated…with certain traits and tendencies invariable." [ 4 ] In it, Patton includes three constants in his conception of reincarnation: he is always reborn as a male; he is always reborn as a fighter; and he retains some awareness of previous lives and incarnations.
The poem was created as part of a friendly competition in which Shelley and fellow poet Horace Smith each created a poem on the subject of Egyptian pharaoh Ramesses II under the title of Ozymandias, the Greek name for the pharaoh. Shelley's poem explores the ravages of time and the oblivion to which the legacies of even the greatest are subject.
"Because I could not stop for Death" is a lyrical poem by Emily Dickinson first published posthumously in Poems: Series 1 in 1890. Dickinson's work was never authorized to be published, so it is unknown whether "Because I could not stop for Death" was completed or "abandoned". [1] The speaker of Dickinson's poem meets personified Death. Death ...