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Decoupage or découpage ( / ˌdeɪkuːˈpɑːʒ /; [ 1] French: [dekupaʒ]) is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects, gold leaf, and other decorative elements. Commonly, an object like a small box or an item of furniture is covered by cutouts from magazines or from ...
The faces and other details were painted onto the glass in vitreous enamel colours, which were fired in a kiln to fuse the paint to the glass. The sections were and fixed into the stone mullions of the window. and reinforced with iron bars. [22] In the later Gothic periods, the windows were larger and were painted with more sophisticated ...
The finished window was set into the stone opening. Thin vertical and horizontal bars of iron, called vergettes or barlotierres, were placed inside the window to reinforce the glass against the wind. [118] The use of iron rods between the panels of glass and a framework of stone mullions, or ribs, made it possible to create much larger windows.
The color was mixed with "soft" glass, a kind of glass with a low melting point, which would allow the mixture to be fused directly with the glass of the windows. [ 21 ] The painters placed the window section on an open easel placed before a window, or put the glass flat onto a transparent table, so the artist could see the effect of the light ...
The Sistine Chapel ceiling ( Italian: Soffitto della Cappella Sistina ), painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art . The Sistine Chapel is the large papal chapel built within the Vatican between 1477 and 1480 by Pope Sixtus IV, for whom the chapel is named.
The coloured glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow stain are often used to enhance the design.
Medieval stained glass is the coloured and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
This newly built abbey has a Jesse Tree window, a fine arts project by students who made the window over a period of 4½ years. Twenty-one panels make up the 16' × 5' Jesse Tree window, based on the 12th-century Jesse Tree from Chartres Cathedral. Inspired by the design, the students have begun creating their own stained glass window depicting ...