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It is the only church in the Philippines with interiors extensively decorated with natural shells. [9] In 2006, the church was one of 5 churches collectively included in the Baroque Churches of the Philippines (Extension), a tentative UNESCO World Heritage Site. [8] Tumauini Church: Tumauini, Isabela: 1783 The church uses an ultra-Baroque style.
A bonfire of the vanities (Italian: falò delle vanità) is a burning of objects condemned by religious authorities as occasions of sin.The phrase itself usually refers to the bonfire of 7 February 1497, when supporters of the Dominican friar Girolamo Savonarola collected and burned thousands of objects such as cosmetics, art, and books in the public square of Florence, Italy, on the occasion ...
The Progress of Medicine in the Philippines comprises four oil paintings on canvas executed by National Artist Carlos V. Francisco in 1953, which were commissioned for the main entrance hall of the Philippine General Hospital in Manila. The paintings depict the advancement of medicine in the Philippines until the middle of the 20th century. [1]
In the Philippine languages, a system of titles and honorifics was used extensively during the pre-colonial era, mostly by the Tagalogs and Visayans.These were borrowed from the Malay system of honorifics obtained from the Moro peoples of Mindanao, which in turn was based on the Indianized Sanskrit honorifics system [1] and the Chinese's used in areas like Ma-i and Pangasinan.
Panabas is a curved-blade weapon. The panabas is a large, forward-curved sword, used by certain ethnic groups in the southern Philippines. Its name is a shortened version of the word pang-tabas, which means "chopping tool." Its length varies from two to four feet, and can be wielded with one or both hands.
Vanitas by Antonio de Pereda. Vanitas (Latin for 'vanity', in this context meaning pointlessness, or futility, not to be confused with the other definition of vanity) is a genre of art which uses symbolism to show the transience of life, the futility of pleasure, and the certainty of death, and thus the vanity of ambition and all worldly desires.