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Alexander Nevsky (Russian: Алекса́ндр Не́вский) is a 1938 Soviet historical drama film directed by Sergei Eisenstein. [1] It depicts the attempted invasion of Novgorod in the 13th century by the Teutonic Knights of the Holy Roman Empire and their defeat by Prince Alexander, known popularly as Alexander Nevsky (1220–1263).
The original goal of state-mandated film in the Soviet Union was to develop a means of propaganda purposed to usurp other forms of entertainment. 1920s cinema was designed to make a financial and ideological impact, and by the mid-1930s, foreign films were no longer imported into Russia from outside countries.
The Museum of International Propaganda features a permanent collection of propaganda posters, paintings, sculptures, and artifacts from more than 25 countries. The main gallery showcases unique and educational images, representing the political art of various nations, including North Korea, Cuba, Nazi Germany, China, Iran, and the Soviet Union. [1]
Pages in category "Soviet propaganda films" The following 19 pages are in this category, out of 19 total. ... Black and White (1932 film) By the Bluest of Seas; C ...
Film became the preferred medium of propaganda in the newly formed Russian Soviet Republic due to a large portion of the peasant population being illiterate. [11] The Kuleshov Effect was first used in 1919 in the film The Exposure of the Relics of Sergius of Radonezh by juxtaposing images of the exhumed coffin and body of Sergius of Radonezh, a ...
This category is for propaganda films about communist revolutions or to disseminate revolutionary ideas, which were made with the involvement of the government of the Soviet Union. Pages in category "Soviet revolutionary propaganda films"
Common images used in socialist realism were flowers, sunlight, the body, youth, flight, industry, and new technology. [18] These poetic images were used to show the utopianism of communism and the Soviet state. Art became more than an aesthetic pleasure; instead it served a very specific function.
The personality cult of Stalin in Soviet posters, 1929–1953. ANU Press. ISBN 9781760460631. Windows on the War: Soviet Tass Posters at Home and Abroad, 1941-1945. Art Institute of Chicago. 2011. ISBN 978-0-300-17023-8. Toland, Kristina (2021). Constructing Revolution: Soviet Propaganda Posters, 1917-1947. Bowdoin College Museum of Art.