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Stephen Toussaint (born 22 March 1965) is a British actor and writer. He first gained prominence through his role in the ITV crime drama The Knock (1994–2000). Currently, he plays Lord Corlys Velaryon in the HBO fantasy series House of the Dragon. His films include Shooting Dogs (2005) and Prince of Persia: The Sands of Time (2010).
The concept was to create poetry videos, similar to music videos which were gaining popularity at the time, making poetry more acceptable as a commercial product. One of the most famous poetry films ever produced was aired on the Smothers Brothers Show in 1968. The film was by Lawrence Ferlinghetti and was titled the "Assassination Raga". The ...
The movie starts in Zonguldak, in 1941. While two young poet Muzaffar Tayyip Uslu (Kıvanç Tatlıtuğ) and Rüştü Onur (Mert Fırat) continue their civil service life in this newly modernized mining city, they also live together with art, literature, and most poetry, they have a dream to become a butterfly as to fly on sky as to become a famous poet.
Ed Bowes is a filmmaker, writer, and director who pioneered the use of video as cinema. The first person to make a feature-length film in video, he used poets, musicians, artists, video- and filmmakers as performers in films such as Romance (1975) and Better, Stronger (1978–79).
Film(s) "Casey at the Bat: A Ballad of the Republic, Sung in the Year 1888" (1888), Ernest Thayer: Casey at the Bat (1916) Casey at the Bat (1927) Make Mine Music (1946) "The Charge of the Light Brigade" (1854), Alfred, Lord Tennyson: Balaclava (1928) The Charge of the Light Brigade (1912) The Charge of the Light Brigade (1936)
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The film is a lightly fictionalized account of Basquiat's life. A struggling artist living in a cardboard box in Tompkins Square Park works his way up the rungs of the New York art world in the eighties, thanks in part to his association with Andy Warhol, the art dealer Bruno Bischofberger, poet and critic René Ricard, and fellow artist Albert Milo.
In his essay Poetry-Films and Film Poems in Film Poems, William C. Wees differentiates between poetry-film using a film to ‘illustrate’ a poem, and film poems in which ‘a synthesis of poetry and film that generates associations, connotations and metaphors neither the verbal nor the visual text could produce on its own.’ [9] [10]