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Oil paint on canvas board More images: 1901 to 1905 Binz auf Rügen (Twilight) Musée National d'Art Moderne, Paris 23.2 x 32.8 Oil paint on canvas board More images: 1902 Kochel, the Bridge: Stedelijk Museum Amsterdam More images: 1902 Spring, Vicinity of Augsburg: Musée National d'Art Moderne, Paris 23.8 x 33 Oil paint on card board More ...
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Brooklyn Bridge is a 1915 painting by the French artist, theorist and writer Albert Gleizes. Brooklyn Bridge was exhibited at the Montross Gallery, New York, 1916 (no. 40) along with works by Jean Crotti, Marcel Duchamp and Jean Metzinger. [1] This is the first in a series of three highly abstract paintings by Gleizes of the Brooklyn Bridge.
Les Joueurs de football is a large oil painting on canvas with dimensions 225.4 x 183 cm (88 3/4 x 72 1/16 in.) signed and dated "Albert Gleizes 1912–13", lower left. After at least one preliminary sketch, [6] Gleizes began working on this painting in 1912 and finished it before exhibiting the work at the Salon des Indépendants, March 1913. [7]
An important distinction that made color field painting different from abstract expression was the paint handling. The most basic fundamental defining technique of painting is application of paint and the color field painters revolutionized the way paint could be effectively applied. Color field painting sought to rid art of superfluous rhetoric.
The painting depicts a dematerialized soccer player. The athlete's calf is seen in the center of the painting, and portions of other body parts can be seen around it. Due to its use of vibrant hues divided into sections, the painting gives the impression that rays of light are illuminating the subject. [ 1 ]
The Card Players, 1890–1892, Barnes Foundation, Philadelphia, Pennsylvania. The largest version, painted between the years 1890–1892, is the most complex, with five figures on a 134.6 x 180.3 cm (53 × 71 in) canvas. It features three card players at the forefront, seated in a semi-circle at a table, with two spectators behind.
Adolph Friedrich Reinhardt (December 24, 1913 – August 30, 1967) was an abstract painter and Art theorist active in New York City for more than three decades. As a theorist he wrote and lectured extensively on art and was a major influence on conceptual art, minimal art and monochrome painting.
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