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Vases in use are sometimes depicted in paintings on vases, which can help scholars interpret written descriptions. Much of our written information about Greek pots come from such late writers as Athenaios and Pollux and other lexicographers who described vases unknown to them, and their accounts are often contradictory or confused. With those ...
As the culture recovered Sub-Mycenaean pottery finally blended into the Protogeometric style, which begins Ancient Greek pottery proper. [citation needed] The rise of vase painting saw increasing decoration. Geometric art in Greek pottery was contiguous with the late Dark Age and early Archaic Greece, which saw the rise of the Orientalizing period.
A Roman wall painting showing the Egyptian goddess Isis (seated right) welcoming the Greek heroine Io to Egypt. Interpretatio graeca (Latin for 'Greek translation'), or "interpretation by means of Greek [models]", refers to the tendency of the ancient Greeks to identify foreign deities with their own gods.
In ancient Roman culture, the olla (archaic Latin: aula or aulla; Greek: χύτρα, chytra) [1] [2] [3] is a squat, rounded pot or jar. An olla would be used primarily to cook or store food, hence the word "olla" is still used in some Romance languages for either a cooking pot or a dish in the sense of cuisine.
Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating in the 2nd century BC.
At a Greek symposium, kraters were placed in the center of the room.They were quite large, so they were not easily portable when filled. Thus, the wine-water mixture would be withdrawn from the krater with other vessels, such as a kyathos (pl.: kyathoi), an amphora (pl.: amphorai), [1] or a kylix (pl.: kylikes). [1]
The Daemones Ceramici or the Daimones Keramikoi (Ancient Greek: Δαίμονες Κεραμικοί, romanized: Daímones Keramikoí, lit. 'ceramic spirits', Attic Greek: [ke.ra.miˈkoi̯ ˈdai̯.mo.nes]; singular: Κεραμικός Δαίμων, Keramikós Daímon, [ke.ra.miˈkos ˈdai̯.mɔːn]) in Greek mythology are five malevolent spirits who plagued the craftsman potter:
Silver kylix with Helen and Hermes, c. 420 BC. In the pottery of ancient Greece, a kylix (/ ˈ k aɪ l ɪ k s / KY-liks, / ˈ k ɪ l ɪ k s / KIL-iks; Ancient Greek: κύλιξ, pl. κύλικες; also spelled cylix; pl.: kylikes / ˈ k aɪ l ɪ k iː z / KY-lih-keez, / ˈ k ɪ l ɪ k iː z / KIL-ih-keez) is the most common type of cup in the period, usually associated with the drinking of wine.