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Not that Classical Chinese poetry ever lost the use of the shi forms, with their metrical patterns found in the "old style poetry" and the regulated verse forms of (lüshi or jintishi). The regulated verse forms also prescribed patterns based upon linguistic tonality. The use of caesura is important in regard to the metrical analysis of ...
Anapaest–A three-syllable metrical pattern in poetry in which two unstressed syllables are followed by a stressed syllable. Dactyl–A three-syllable metrical pattern in poetry in which a stressed syllable is followed by two unstressed syllables. Spondee–A beat in a poetic line that consists of two accented syllables. It is a poetic form ...
Those basic patterns are called feet, and this particular pattern (weak weak STRONG) is called an anapest. A line with four feet is said to be in tetrameter (tetra-, from the Greek for four). Therefore, this poem is written in anapestic tetrameter. (This process of analyzing a poem's rhythms is called scansion.) The poem also rhymes (not all ...
An example of scansion over a quote from Alexander Pope. Scansion (/ ˈ s k æ n. ʃ ə n / SKAN-shən, rhymes with mansion; verb: to scan), or a system of scansion, is the method or practice of determining and (usually) graphically representing the metrical pattern of a line of verse.
A metrical foot (aka poetic foot) is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry.. In some metres (such as the iambic trimeter) the lines are divided into double feet, called metra (singular: metron).
The individual rhythmical patterns used in Greek and Latin poetry are also known as "metres" (US "meters"). Greek poetry developed first, starting as early as the 8th century BC with the epic poems of Homer and didactic poems of Hesiod, which were composed in the dactylic hexameter. A variety of other metres were used for lyric poetry and for ...
As a technical term in metrical analysis, the term "lekythion" is first attested in the 2nd century AD, in the Handbook of Metrics by the grammarian Hephaestion. [14] Hephaestion also calls the pattern the "Euripideum" (" τὸ καλούμενον Εὐριπίδειον ἢ Ληκύθιον ", "the so-called Euripideum or Lekythion").
The meaning of this line is that the metre has a pause after four syllables (jaladhi = ocean, traditionally four in number), then after six (ṣaḍ = six), and can be described using the gaṇa s [7] (trisyllabic metrical patterns) ma bha na ta ta followed by two long (or heavy) syllables, known as guru, that is: