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  2. Fantasiestücke, Op. 12 - Wikipedia

    en.wikipedia.org/wiki/Fantasiestücke,_Op._12

    Anna Robena Laidlaw. Robert Schumann's Fantasiestücke, Op. 12, is a set of eight pieces for piano, written in 1837.The title was inspired by the 1814–15 collection of novellas, essays, treatises, letters, and writings about music, Fantasiestücke in Callots Manier (which also included the complete Kreisleriana, another source of inspiration for Schumann) by one of his favourite authors, E ...

  3. Dream chord - Wikipedia

    en.wikipedia.org/wiki/Dream_chord

    Dream chord on G Play ⓘ.. The dream chord is a chord that is used prominently in the works of La Monte Young.It is made up of the pitches G-C-C♯-D. [2] [3] The chord is prominently featured in Young's compositions for Brass (1957), Trio for Strings (1958), and The Four Dreams of China (1962).

  4. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

  5. Works for prepared piano by John Cage - Wikipedia

    en.wikipedia.org/wiki/Works_for_prepared_piano...

    The piano part develops from free composition (movement 1) to following the orchestra using a parallel chart (movement 2) and then to sharing the same chart with the orchestra (movement 3). Piano preparation in the Concerto is rather complex and involves, among other things, a moveable plastic bridge that makes possible microtonal effects.

  6. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.

  7. Daydream (The Lovin' Spoonful song) - Wikipedia

    en.wikipedia.org/wiki/Daydream_(The_Lovin...

    The verses of "Daydream" use a I–VI m7 –ii–V chord progression and the refrain uses IV–i °7 –I–VI m7. [12] The musicologist Walter Everett writes that because the song's verses always end with half cadences, it means the song never "[achieves] a full-cadence closure" but instead fades out while still feeling incomplete. [13]

  8. Simple Dreams - Wikipedia

    en.wikipedia.org/wiki/Simple_Dreams

    Simple Dreams is the eighth studio album by the American singer Linda Ronstadt, released in 1977 by Asylum Records.It includes several of her best-known songs, including her cover of the Rolling Stones song "Tumbling Dice" (featured in the film FM) and her version of the Roy Orbison song "Blue Bayou", which earned her a Grammy nomination for Record of the Year.

  9. Bacardi Feeling (Summer Dreamin') - Wikipedia

    en.wikipedia.org/wiki/Bacardi_Feeling_(Summer...

    "Bacardi Feeling (Summer Dreamin')" is a song by American recording artist Kate Yanai. Initially a Bacardi Rum jingle that she recorded for the European market in 1988, it became so popular that Yanai was asked to transform it into a song about "summer love" rather than rum.

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