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In implementing the National Culture, we tried to create with the seriousness that honestly as a struggle to maintain and develop our self dignity as a nation of Indonesia in the community of nations. Pancasila is the philosophy of our culture. Jakarta, August 17, 1963 [1] [2] [3]
Wayang golek (wooden puppet) performance, Indonesia The history of the wayang golek began in the 17th century. Initially, the wayang golek art emerged and was born on the north coast of the island of Java, especially in Cirebon, the wayang used is the wayang cepak in the form of a papak or flat head.
Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
The philosopher in Indonesian history of philosophy who firstly understood Budi (or more frequently, Kebudayaan) as culture is Sutan Takdir Alisjahbana (1908–1994). Koentjaraningrat , an American-trained anthropologist, then continued using the meaning in his famous book, Manusia dan Kebudayaan di Indonesia . [ 6 ]
The Ministry of Culture of the Republic of Indonesia (Indonesian: Kementerian Kebudayaan Republik Indonesia, abbreviated as Kemenbud RI or Kemenbud) is a ministry within the Indonesian Government tasked with organizing government affairs in the field of cultural advancement objects, cultural heritage, and other cultures.
The wayang kulit performance by the Indonesian notable dalang (puppet master) Manteb Soedharsono, with the story "Gathutkaca Winisuda", in Bentara Budaya Jakarta, Indonesia, on 31 July 2010. Wayang kulit ( Javanese : ꦮꦪꦁꦏꦸꦭꦶꦠ꧀ (in the ngoko register ) ) [ 1 ] is a traditional form of shadow puppetry originally found in the ...
Some modern forms of wayang such as wayang sandosa (from Bahasa Indonesia, since it uses the national language of Indonesian instead of Javanese) created in the Art Academy at Surakarta (STSI) employ theatrical spotlights, colored lights, contemporary music, and other innovations. [citation needed]
Edi Sedyawati binti Iman Sudjahri (28 October 1938 - 12 November 2022) [1] was an Indonesian archeologist and historian. [2] [3] [4] She was a professor of archeology at the University of Indonesia, [5] [6] Chairperson of the university's Department of Javanese Letters and Center for Humanities and Social Sciences and also Chair of the Department of Dance at the Jakarta Institute for Arts. [7]