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The song may be an allusion to both the apple tree in Song of Solomon 2:3 which has been interpreted as a metaphor representing Jesus, and to his description of his life as a tree of life in Luke 13:18–19 and elsewhere in the New Testament including Revelation 22:1–2 and within the Old Testament in Genesis.
This is a list of songs written by the American gospel songwriter Dottie Rambo. Rambo wrote over 2500 songs throughout her lifetime, and many have been recorded by hundreds of artists. [1] Songs are listed in alphabetical order and followed in parentheses by other notable artists who have recorded or performed the song.
The story may be derived from the apocryphal Gospel of Pseudo-Matthew, written around the year 650, [3] which combines many earlier apocryphal Nativity traditions; however, in Pseudo-Matthew, the event takes place during the flight into Egypt, and the fruit tree is a palm tree (presumably a Date Palm) rather than a cherry tree.
The 29 verses of the hymn date from the 19th century and are intended to represent a lullaby for the Christ Child by the Blessed Virgin. The same hymn was popularised throughout the Anglosphere during the early 20th century by Marjory Kennedy-Fraser as an art song with translated lyrics and the title The Christ-Child's Lullaby.
" Vom Himmel hoch, da komm ich her" ("From Heaven Above to Earth I Come") is a hymn text relating to the Nativity of Jesus, written by Martin Luther in 1534. The hymn is most often sung to the melody, Zahn No. 346, which first appeared in a 1539 songbook and was probably also composed by Luther.
– He is born, the Heav'nly Child, – Oboes play; set bagpipes sounding. – He is born, the Heav'nly Child, – Let all sing His nativity. 'Tis four thousand years and more, Prophets have foretold His coming. 'Tis four thousand years and more, Have we waited this happy hour. Chorus Ah, how lovely, Ah, how fair, What perfection is His graces.
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Eastern Orthodox icon of the Praises of the Theotokos, before which the Akathist hymn to Mary may be chanted. Marian hymns are Christian songs focused on Mary, mother of Jesus. They are used in devotional and liturgical services, particularly by the Roman Catholic, Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran churches. [citation ...