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Babygirl (Original Soundtrack) is the film score soundtrack to the 2024 film Babygirl directed by Halina Reijn, starring Nicole Kidman, Harris Dickinson, Sophie Wilde and Antonio Banderas. The album features 12 tracks from the score composed by Cristobal Tapia de Veer and released through A24 Music on December 25, 2024.
"Leash" is a song recorded by American singer Sky Ferreira for the soundtrack to the 2024 erotic thriller film Babygirl. She wrote it with Jorge Elbrecht, while the production was handled by the two alongside Evan Voytas. The song was released independently by film distributor A24 on December 5, 2024.
On December 2, 2024, Sky Ferreira announced the release of "Leash", a song written and co-produced by her for the soundtrack of the film. [41] The film score was composed by Cristobal Tapia de Veer and was released digitally on December 25, 2024, through A24 Music. [42] [43] The film features INXS's 1988 single "Never Tear Us Apart". A24 ...
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The first single to be released from the soundtrack was "Still Falling for You" by English singer Ellie Goulding and co-written by Tove Lo. [1]Issued on 19 August 2016, Goulding first teased the track and its accompanying music video on Instagram, posting a short preview of the song's visual, which shows the pop star shrouded in silhouette as she stands in front of a projection. [1] "
Las Mantenidas Sin Sueños (album) Last Action Hero (soundtrack) The Last Great Wilderness (album) Laurel and Hardy music; Lead Us Not into Temptation; Leningrad Cowboys Go America (album) Lisztomania (album) The Little Vampire (soundtrack) Live 1965: Music from Charlie Is My Darling; Love and a .45 (soundtrack) Love Me or Leave Me (Doris Day ...
That year, she composed music for the film War Story (2014), and released the soundtrack album Aftermath featuring Dave Eggar. It reached number 47 on Billboard 200 [1] and produced one promotional single called "Lockdown". Lee has also collaborated with Eggar on the films Indigo Grey: The Passage (2015) and Blind (2017).
As soundtrack album sales far outstripped his regular album sales (Blue Hawaii outselling Pot Luck with Elvis by ten to one) Presley found himself firmly entrenched in songs designed for a light-entertainment formula of beautiful scenery and girls galore. [10] With this discrepancy in sales, the formula of the soundtrack music became the focus.