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Bijou Cafe Bridges Cafe Esparza's, 2008 Le Bistro Montage, 2013 Roman Candle (2016) The Roxy Tapalaya, 2013. Following is a list of notable defunct restaurants in Portland, Oregon: 3 Doors Down Café and Lounge; Acadia: A New Orleans Bistro; Alexis Restaurant (1980–2016) Altabira City Tavern (2015–2020) Analog Café and Theater; Anna ...
A TGI Friday's restaurant occupied the former site of the Roxy Theatre's entrance lobby until it closed due to the COVID-19 pandemic The Roxy closed on March 29, 1960. The final movie was The Wind Cannot Read , [ 24 ] a British film with Dirk Bogarde , which opened March 9.
The Roxy was a diner serving American cuisine in Portland, Oregon. Located on downtown Portland's Southwest Harvey Milk Street, the restaurant was established in 1994. The Roxy was popular as a late-night food destination and had a diverse clientele. Prior to the COVID-19 pandemic, the diner operated 24 hours a day, except on Mondays.
MPL Communications Ltd/ Photographer: MJ Kim. Paul McCartney performs a surprise show at New York City's Bowery Ballroom on February 11, 2025
The Roxy (sometimes Roxy NYC) was a popular nightclub and former disco roller rink located at 515 West 18th Street in New York City. Located in the Chelsea section of Manhattan, it began as a roller disco in 1978, founded by Steve Bauman, Richard Newhouse and Steve Greenberg. [1] It was acquired in 1985 by Gene DiNino.
Warren Zevon's live album, Stand in the Fire, was recorded during five shows he played at The Roxy in April 1980. He also recorded another album, Live at The Roxy, in April 1978, and this was released in 2020. The Tragically Hip recorded Live at the Roxy in 1991. Jazz group The Crusaders recorded the live album Scratch at the Roxy in 1974.
Upstairs was an exclusive club called "Over the Rainbow", which still consists of a full bar, a dance floor and a DJ booth. It currently has live entertainment on select days during the week. The restaurant is next to The Roxy Theatre and 1 OAK (formerly Gazzarri's); [1] Billboard Live, and The Key Club.
Of the event, Chi Chi Valenti later observed, "The Love Ball was simultaneously a massive coming-out party for the uptown ball culture and the end of a certain naivete that had been inherent in that culture. The Harlem balls never were quite the same again." [14] In the fall of 1989, the House of Extravaganza revised its name to "Xtravaganza".