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Sonnet II", also known by its opening words as "As Due By Many Titles", is a poem written by John Donne, who is considered to be one of the representatives of the metaphysical poetry in English literature. It was first published in 1633, two years after Donne’s death. It is included in the Holy Sonnets – a
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Comes before other terms; e.g. più mosso ("more moved/agitated") Poco: little: Comes before other terms; e.g. poco diminuendo ("a little diminishing") poco a poco: little by little "Slowly but steadily." Comes before other terms; e.g. poco a poco crescendo ("increasing little by little") ma non tanto: but not so much
John Donne (/ d ĘŚ n / DUN; 1571 or 1572 [a] – 31 March 1631) was an English poet, scholar, soldier and secretary born into a recusant family, who later became a cleric in the Church of England. [2]
The poem features images typical of the Petrarchan sonnet, yet they are more than the "threadbare Petrarchan conventionalities". [1] In critic Clay Hunt's view, the entire poem gives "a new twist to one of the most worn conventions of Elizabethan love poetry" by expanding "the lover–saint conceit to full and precise definition", a comparison that is "seriously meant". [2]
You might want to be a little skeptical about that response, said Stanford University Professor Johannes Eichstaedt. "What you're getting here is the party line."
John Donne, aged about 42. Donne was born in 1572 to a wealthy ironmonger and a warden of the Worshipful Company of Ironmongers, and his wife Elizabeth. [2] After his father's death when he was four, Donne was trained as a gentleman scholar; his family used the money his father had made to hire tutors who taught him grammar, rhetoric, mathematics, history and foreign languages.
The English word "trapeze" is an example of an iambic pair of syllables, since the word is made up of two syllables ("tra-peze") and is pronounced with the stress on the second syllable ("tra-PEZE", rather than "TRA-peze"). A line of iambic pentameter is made up of five such pairs of short/long, or unstressed/stressed, syllables.