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The Blue Marble taken with a 70-millimeter Hasselblad camera using an 80-millimeter Zeiss lens [18] [19] Hasselblad 500 EL/M "20 years in space" anniversary edition with 70 mm back, similar to the ones used in the Apollo Program. Several different models of Hasselblad cameras were taken into space, all specially modified for the task. [20]
The traditional Hasselblad medium format film cameras capture images on 120 film in the 6×6 cm (nominal) frame size; the actual frame size measures 56.5×56.5 mm (2.22×2.22 in), which is larger than small format 135 film, with a frame size of 36×24 mm (1.42×0.94 in). This means the crop factor for most film-based Hasselblad cameras (based ...
India-Canada-UK coproduction [4] The Chinatown Diner: Lawrence Le Lam: Aileen Wu, Curtis Lum, Andrea Bang, Olivia Cheng, Tzi Ma [5] Cutting Through Rocks: Sara Khaki, Mohammad Reza Eyni: Multinational coproduction [4] Dead Lover: Grace Glowicki: Grace Glowicki, Ben Petrie [4] Endless Cookie: Seth Scriver, Peter Scriver [6] Fanny Cloutier: Yan ...
The company was founded in 1974 by chairman and CEO René Malo in Montreal, Quebec as Les Films Rene Malo. It will soon expand to home video distribution in 1983. [1]In late 1983, it was a founding partner of Videoglobe with many other companies, including Cinepix Inc. and The Multimedia Group of Canada, among others.
Cosmic Zoom is a 1968 short film directed by Robert Verrall and produced by the National Film Board of Canada. [1] It depicts the relative size of everything in the universe in an 8-minute sequence using animation and animation camera shots.
In November 2000, Canwest, through its subsidiary Global Television Network Inc., was granted approval by the Canadian Radio-television and Telecommunications Commission (CRTC) to launch a television channel called Adventure, described as "a national English-language Category 2 specialty television service devoted to action and adventure programming.
Graphic Films' Lester Novros, Con Pederson, and background artist Douglas Trumbull would air-mail research based concept sketches and notes covering the mechanics and physics of space travel to Kubrick in England during pre-production. They would go on to create storyboards for a portion of the space flight sequences seen in the film. [3]
Interest in theatrical 3D movies dwindled during the following decades, but they started to get exploited as (part of) special attractions, such as 4D simulator rides and Imax theatres. In the early 2000s, digital cinema began to takeover and polarized 3D movies became popular. Movies were no longer created on film.
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