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The water-god Poseidon [40] appears as a horse which seems to represent the water-spirit [37] and Erinys is probably the personification of a revenging earth-spirit. [ 41 ] [ 36 ] From earlier times at Delphi Poseidon was joined in a religious union with the earth-goddess Ge .
We also have evidence of several ancient inscriptions that urge townspeople to sacrifice to Poseidon Asphaleius in the aftermath of an earthquake, to bring stability back to their town. [11] There are ruins of an altar to this aspect of the god on Aigai. [8] The still extant Temple of Poseidon on Tainaron is dedicated to this aspect of the god.
Poseidon: Neptune: God of the seas, water, storms, hurricanes, earthquakes and horses. The middle son of Cronus and Rhea. Brother of Zeus and Hades. Married to the Nereid Amphitrite; although, as with many of the male Greek gods, he had many lovers. His symbols include the trident, horse, bull, and dolphin. Demeter: Ceres
Pegasus (Ancient Greek: Πήγασος, romanized: Pḗgasos; Latin: Pegasus, Pegasos) is a winged horse in Greek mythology, usually depicted as a white stallion. He was sired by Poseidon, in his role as horse-god, and foaled by the Gorgon Medusa.
The ruins matched the location of an important — but long-lost — sanctuary described in an ancient Greek text, Geographica. Poseidon, god of the sea , was a key figure in Greek mythology.
Triton (/ ˈ t r aɪ t ɒ n /; Ancient Greek: Τρίτων, romanized: Trítōn) is a Greek god of the sea, the son of Poseidon and Amphitrite. Triton lived with his parents in a golden palace on the bottom of the sea. Later he is often depicted as having a conch shell he would blow like a trumpet. [citation needed]
When he lost, Poseidon used the trident to dry out the land so they had no water. The well was later to be called the Erechtheis. [3] [4] [5] There is further myth that Poseidon (Neptune) produced a horse by striking the earth with the trident, in order to bolster his claim, [6] but there is no attestation for this among Greek writers. [7]
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.