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Julian and Maria Martinez digging clay in the early 1920s. Art from the Keresan-speaking pueblos have their own unique sensibilities. Acoma Pueblo pottery was long appreciated for its bright white slipped, thin-walled vessels and abstract fine line and checker-board geometric ornamentation.
The tradition of Picuris Pueblo pottery dates back to the 1600s. [1] It is made with locally mined mica-rich clay, giving the pieces a glittery sheen. [2] [3] The pieces are fired at a low temperature, making the resulting pottery particularly durable and well adapted for baking and cooking use. [4] [5] Rose muscovite collected in the Picuris ...
Black-on-black ware pot by María Martinez of San Ildefonso Pueblo, circa 1945.Collection deYoung Museum María and Julián Martinez pit firing black-on-black ware pottery at P'ohwhóge Owingeh (San Ildefonso Pueblo), New Mexico (c.1920) Incised black-on-black Awanyu pot by Florence Browning of Santa Clara Pueblo, collection Bandelier National Monument Wedding Vase, c. 1970, Margaret Tafoya of ...
[103] [104] The exhibition features works of Pueblo Pottery from the Vilcek Foundation Collection and from the collection of the Indian Arts Research Center at the School for Advanced Research. The exhibition was curated by a group of more than 60 artists, historians, and stewards of Native American art, the Pueblo Pottery Collective, and is ...
Alfred Aguilar (born 1933), [1] also called Sa Wa Pin, is Tewa Pueblo-American potter, ceramicist, and painter from the San Ildefonso Pueblo tribe. [2] He is known for his coil-built pottery that is carved or painted, his buffalo figurines, and his clay nacimientos.
Their pots are traditional hand-coiled, pit-fired pueblo pottery from local clay. The couple does a few of the deep-carved pots typical of Santa Clara pottery, but mostly makes painted black-on-black and red-on-red pottery. They are among only a few potters in Santa Clara who continue to make the black-on-black pottery in the traditional manner ...
They predominantly take the form of female figures and focus on issues such as gender roles, identity, politics, family, and the past. As in classic Pueblo pottery, Swentzell crafts her clay figures from coils of clay. She differs from other Pueblo potters who dig, sift, clean, and process their own clay by choosing to use commercially produced ...
She sifts, soaks, and strains the raw clay in into pottery-grade clay. [1] She uses the coiling and pit firing to make her pots. [1] Images of women, which she calls "pueblo girls," and animals, are a common themes in her artworks. [3] She participates in the Santa Fe Indian Market. [1] She won first prize in pottery at the Market in 2011 and 2022.
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