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Golgotha is an oratorio for five soloists, orchestra, organ, piano and mixed choir composed by Frank Martin from 1945 to 1948, premiered in Geneva on 29 April 1949 under the direction of Samuel Baud-Bovy.
Altar at the traditional site of Golgotha The altar at the traditional site of Golgotha Chapel of Mount Calvary, painted by Luigi Mayer. The English names Calvary and Golgotha derive from the Vulgate Latin Calvariae, Calvariae locus and locum (all meaning "place of the Skull" or "a Skull"), and Golgotha used by Jerome in his translations of Matthew 27:33, [2] Mark 15:22, [3] Luke 23:33, [4 ...
La Ballade des seigneurs du temps jadis (Ballad of the Lords of former times) is one of the poems by François Villon which follows the Ballade des dames du temps jadis and precedes Ballade en vieil langage françoys which constitute the triptych of the ballads at the center of his Testament or Grand Testament, [1] [2] at the opposite of the Small Testament, whose very name appears undue, even ...
"Let's Go" was originally published in the Sunday Times Weekly Review, on December 15, 1974; a Times contest-winner, it was Kilworth's first published science fiction. [1] It has subsequently been republished in Gollancz - Sunday Times Best SF Stories (1975), The Best Science Fiction Stories (1977), Let's Go To Golgotha: the Gollancz - Sunday Times Best SF Stories (1979), Constellations ...
It is also known as Golgotha, Consumatum Est and The Crucifixion (La Crucifixion). The foreground depicts the ground of Golgotha with the shadows of three crucified men: Jesus and the two thieves. Further back in the picture is a crowd of people moving away from the scene. In the background is the city of Jerusalem under a cloudy sky.
Christ Leaving the Praetorium is an oil-on-canvas painting by French artist Gustave Doré, created between 1867 and 1872.It was the largest of his religious paintings, with the dimensions of 609 by 914 cm, and is considered to be the "the work of his life".
Contenant leurs diverses fortunes avec plusieurs autres estranges avantures arrivées de nostre temps, disposées en quatre livres, Paris, Toussainct Du Bray, 1621. - Le palais d’Angélie, Paris, Toussainct du Bray, 1622. - Nouvelles françaises où se trouvent divers effets de l'amour et de la fortune, Paris, Pierre Billaine, 1623.
It is written in the fixed-form ballade format, and forms part of his collection Le Testament in which it is followed by the Ballade des seigneurs du temps jadis. The section is simply labelled Ballade by Villon; the title des dames du temps jadis was added by Clément Marot in his 1533 edition of Villon's poems.