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ALL RELIGIONS are ONE: The image depicts an old man, his hands resting on an open book. Behind him and to the left is an angel, his left hand resting on the old man's shoulder. The angel's right hand is resting on a large tablet with a double-arched top, bearing the title "ALL RELIGIONS are ONE," the words diegetically inscribed on the tablet.
Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques.
Omnism is the belief in all religions. [1] [2] Those who hold this belief are called omnists.In recent years, the term has been resurfacing due to the interest of modern-day self-described omnists who have rediscovered and begun to redefine the term.
Liberal Religious Youth Ohio Valley Federation Songs for Triangle Club of All Souls Unitarian Church, Assembled by Mike Selmmanoff (1964–65), Reprinted by E.O. Davisson (1966) [644] Hymns for Living, General Assembly of Unitarian and Free Christian Churches (1985) Hymns of Faith and Freedom, Unitarian Christian Association (1991)
The quintessential Christmas crush song, Mariah Carey's "All I Want for Christmas Is You" finally hit No. 1 in 2019—25 years after its initial release! 2. Nat King Cole, "The Christmas Song"
Songs about religious leaders (2 C) R. Religious songs (6 C, 4 P) S. Songs about Jesus (168 P) Songs critical of religion (105 P) Pages in category "Songs about religion"
"Come, Come, Ye Saints" (originally "All is Well") is one of the best-known Latter-day Saint hymns. The lyrics were written in 1846 by Mormon poet William Clayton . The hymn has been called the anthem of the nineteenth-century Mormon pioneers [ 1 ] and "the landmark Mormon anthem."
Many of these songs survive in Tibetan translation. One collection by Viraprakasa has songs from the eighty four mahasiddhas, and is known as Vajra Songs: The Heart Realizations of the Eighty-four Mahasiddhas. [47] A similar genre of tantric Buddhist songs have survived in the proto-Bengali–Assamese Charyapadas. [48] [49]